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15. To IV n Back (Part I)

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Content provided by John Elliott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Elliott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The very important family of metabricks, "To IV n Back", is introduced in Part I of this two-part podcast. The harmonic purpose of the family is introduced and then focus is given to the most common form: the "To IV n Yak". This metabrick is made up of On + (Boostrap) Cadence + (New Horizon) Yardbird Cadence. Many examples from real songs are shown to illustrate just how common this harmonic move is. Passing reference is made to the related "To IV n Mack" and also the "Pennies Ending" metabricks. Chaining of more than one "To IV n Back" is illustrated with reference to real standards. Modulation in major harmony via dominant 7th chords with roots other than V is discussed and the reason why modulating to IV does not feel as strong as modulation to other places.
  continue reading

30 episoade

Artwork
iconDistribuie
 
Manage episode 208521984 series 120016
Content provided by John Elliott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Elliott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The very important family of metabricks, "To IV n Back", is introduced in Part I of this two-part podcast. The harmonic purpose of the family is introduced and then focus is given to the most common form: the "To IV n Yak". This metabrick is made up of On + (Boostrap) Cadence + (New Horizon) Yardbird Cadence. Many examples from real songs are shown to illustrate just how common this harmonic move is. Passing reference is made to the related "To IV n Mack" and also the "Pennies Ending" metabricks. Chaining of more than one "To IV n Back" is illustrated with reference to real standards. Modulation in major harmony via dominant 7th chords with roots other than V is discussed and the reason why modulating to IV does not feel as strong as modulation to other places.
  continue reading

30 episoade

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