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KQEK.com --- Interview with Cary Mansfield, Varese Sarabande's V.P. of A&R

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Manage episode 162912880 series 1129253
Content provided by Mark R. Hasan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark R. Hasan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In what’s hopefully the first in a series of vinyl related podcasts, I speak with Cary Mansfield, Varese Sarabande’s Vice President of A&R, about the label's recent trio of limited LP editions of catalogue titles – John Powell’s The Bourne Identity (2002), Don Davis’ The Matrix (1999), and Marco Beltrami’s Scream (1996) and Scream 2 (1997) – and the quirks and nuances of pressing an LP and the market itself, being more collector-oriented that when I began collecting soundtrack LPs in the late 1980s.

Visit KQEK.com for a review of Varese Sarabande’s Bourne Identity soundtrack LP, and some links on documentaries and vintage industrial shorts covering the history of vinyl records, the long-playing LP, and extreme vinyl collectors.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

  continue reading

69 episoade

Artwork
iconDistribuie
 
Manage episode 162912880 series 1129253
Content provided by Mark R. Hasan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark R. Hasan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In what’s hopefully the first in a series of vinyl related podcasts, I speak with Cary Mansfield, Varese Sarabande’s Vice President of A&R, about the label's recent trio of limited LP editions of catalogue titles – John Powell’s The Bourne Identity (2002), Don Davis’ The Matrix (1999), and Marco Beltrami’s Scream (1996) and Scream 2 (1997) – and the quirks and nuances of pressing an LP and the market itself, being more collector-oriented that when I began collecting soundtrack LPs in the late 1980s.

Visit KQEK.com for a review of Varese Sarabande’s Bourne Identity soundtrack LP, and some links on documentaries and vintage industrial shorts covering the history of vinyl records, the long-playing LP, and extreme vinyl collectors.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

  continue reading

69 episoade

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