In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Host with Jon Greenaway (Horror Vanguard)
Manage episode 433936596 series 3528111
Content provided by Evan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Evan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week, my guest Jon Greenaway (The Horror Vanguard) and I delve into the intricate layers of Bong Joon-ho's film "The Host," appreciating its masterful storytelling and character analysis of Gang-du. We explore the film's blend of comedy and seriousness, praising its tonal shifts and expert composition for a captivating cinematic experience. Drawing from filmmakers like Scorsese and Carpenter, we admire how Bong Joon-ho combines action, tone shifts, and social commentary. The discussion touches on the film's themes of political protest, societal disillusionment, and the central importance of family in Bong Joon-ho's work. We reflect on the symbolic significance of shared meals and familial unity, challenging conventional storytelling methods and highlighting the power of metaphor in critiquing societal norms. Reflecting on anti-capitalist themes and individual agency within systemic structures, we contemplate the potential for change through acts of resistance and solidarity in a complex world.
Jon Greenaway:
Capitalism: A Horror Story: Gothic Marxism and the Dark Side of the Radical Imagination
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojector.com
https://instagram.com/leftoftheprojectorpod
148 episoade
Distribuie
Manage episode 433936596 series 3528111
Content provided by Evan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Evan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week, my guest Jon Greenaway (The Horror Vanguard) and I delve into the intricate layers of Bong Joon-ho's film "The Host," appreciating its masterful storytelling and character analysis of Gang-du. We explore the film's blend of comedy and seriousness, praising its tonal shifts and expert composition for a captivating cinematic experience. Drawing from filmmakers like Scorsese and Carpenter, we admire how Bong Joon-ho combines action, tone shifts, and social commentary. The discussion touches on the film's themes of political protest, societal disillusionment, and the central importance of family in Bong Joon-ho's work. We reflect on the symbolic significance of shared meals and familial unity, challenging conventional storytelling methods and highlighting the power of metaphor in critiquing societal norms. Reflecting on anti-capitalist themes and individual agency within systemic structures, we contemplate the potential for change through acts of resistance and solidarity in a complex world.
Jon Greenaway:
Capitalism: A Horror Story: Gothic Marxism and the Dark Side of the Radical Imagination
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojector.com
https://instagram.com/leftoftheprojectorpod
148 episoade
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Similar cu Left of the Projector
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
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…
continue reading
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continue reading
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…
continue reading
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…
continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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continue reading
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