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Los imprescindibles - ¿Conocemos a Janácek? Tema con variaciones (para piano) y Misa Glagolítica - 18/04/14

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Manage episode 258074833 series 61790
Content provided by RTVE and Radio Clásica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by RTVE and Radio Clásica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Intérpretes:

- Tema con variaciones: Rudolf Firkušný

- Misa Glogolítica: Evelyn Lear (soprano), Hilde Rössel-Majdan (contralto), Ernst Haefliger (tenor), Franz Crass (bajo), Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik (dir.)

Dos obras claramente distintas del maestro checo: primero una pieza de juventud, de 1880, para piano, que muestra el camino de un compositor gran calidad. Y luego una obra de madurez, de 1926, imprescindible en el repertorio del siglo XX: una misa original, compleja, moderna, incluso bárbara por su potencialidad, libre, y también extraña, heterogénea, emocionante

  continue reading

23 episoade

Artwork
iconDistribuie
 
Manage episode 258074833 series 61790
Content provided by RTVE and Radio Clásica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by RTVE and Radio Clásica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Intérpretes:

- Tema con variaciones: Rudolf Firkušný

- Misa Glogolítica: Evelyn Lear (soprano), Hilde Rössel-Majdan (contralto), Ernst Haefliger (tenor), Franz Crass (bajo), Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik (dir.)

Dos obras claramente distintas del maestro checo: primero una pieza de juventud, de 1880, para piano, que muestra el camino de un compositor gran calidad. Y luego una obra de madurez, de 1926, imprescindible en el repertorio del siglo XX: una misa original, compleja, moderna, incluso bárbara por su potencialidad, libre, y también extraña, heterogénea, emocionante

  continue reading

23 episoade

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