In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Spine 610: The Organizer
Manage episode 435782079 series 2883660
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Mario Monicelli's The Organizer's title, like De Sica's Bicycle Thieves 15 years before it, had its title senselessly singularized for English release. The original title I compagni means "The Comrades" and is a bit more indicative of the ensemble organizing that is going on here. The story of a late 19th century textile mill strike, The Organizer is a warts and all look at workers exercising their power and capital bringing everything it has to crush them, from "haven't I always been good to you" manipulation to bullets.
The Organizer is the final film released by the Criterion Collection before we first started recording Lost in Criterion in April 2012, and with that milestone I wrote a short reflection on what the podcast has become, available free at our patreon: https://www.patreon.com/posts/milestone-and-110655785626 episoade
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Manage episode 435782079 series 2883660
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Mario Monicelli's The Organizer's title, like De Sica's Bicycle Thieves 15 years before it, had its title senselessly singularized for English release. The original title I compagni means "The Comrades" and is a bit more indicative of the ensemble organizing that is going on here. The story of a late 19th century textile mill strike, The Organizer is a warts and all look at workers exercising their power and capital bringing everything it has to crush them, from "haven't I always been good to you" manipulation to bullets.
The Organizer is the final film released by the Criterion Collection before we first started recording Lost in Criterion in April 2012, and with that milestone I wrote a short reflection on what the podcast has become, available free at our patreon: https://www.patreon.com/posts/milestone-and-110655785626 episoade
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