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Flavia Robalo: Dreaming

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Manage episode 315256305 series 2639010
Content provided by Sarah Monk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Monk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

See pictures and read more on materiallyspeaking.com

From a very young age Flavia drew and painted. She was always asking everyone around her for paper and colours because drawing was her language and her refuge. It was her way of processing everything that happened to her, much as some people use writing.

Flavia is inspired by her childhood and her work often ends up being self-portraits. Even if she tries to invent different characters behind her pieces, they always end up being her.

Flavia is fond of working with wood and says that although there are similarities between wood and marble they have subtly different languages. She describes how wood, being easier to handle and able to be moved around without asking for help, makes it a material that guarantees her more independence.

Flavia co-founded La Polveriera, one of the last remaining studios in the centre of Pietrasanta, with her childhood friend Veronica Fonzo. But when the building was sold to developers, Flavia set up a new studio on the edge of Pietrasanta called Tre Luci. Here she and a handful of colleagues can work in peace without complaints about noise or dust.

The founding members each have an inside studio to show their work and create dust-free pieces, and an outdoor workshop for everything else. There are also some outdoor spaces available for guests to rent.

Some members of Tre Luci include have also been featured on Materially Speaking including Jim Hager, Jacob Cartwright and Rita Meier.

Unfortunately Flavia’s show in Florence mentioned in the podcast has come and gone, but for more up-to-date information on her work check out:

flaviarobalo.com

instagram.com/flaviarobalo

This episode refers to:

  continue reading

60 episoade

Artwork
iconDistribuie
 
Manage episode 315256305 series 2639010
Content provided by Sarah Monk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Monk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

See pictures and read more on materiallyspeaking.com

From a very young age Flavia drew and painted. She was always asking everyone around her for paper and colours because drawing was her language and her refuge. It was her way of processing everything that happened to her, much as some people use writing.

Flavia is inspired by her childhood and her work often ends up being self-portraits. Even if she tries to invent different characters behind her pieces, they always end up being her.

Flavia is fond of working with wood and says that although there are similarities between wood and marble they have subtly different languages. She describes how wood, being easier to handle and able to be moved around without asking for help, makes it a material that guarantees her more independence.

Flavia co-founded La Polveriera, one of the last remaining studios in the centre of Pietrasanta, with her childhood friend Veronica Fonzo. But when the building was sold to developers, Flavia set up a new studio on the edge of Pietrasanta called Tre Luci. Here she and a handful of colleagues can work in peace without complaints about noise or dust.

The founding members each have an inside studio to show their work and create dust-free pieces, and an outdoor workshop for everything else. There are also some outdoor spaces available for guests to rent.

Some members of Tre Luci include have also been featured on Materially Speaking including Jim Hager, Jacob Cartwright and Rita Meier.

Unfortunately Flavia’s show in Florence mentioned in the podcast has come and gone, but for more up-to-date information on her work check out:

flaviarobalo.com

instagram.com/flaviarobalo

This episode refers to:

  continue reading

60 episoade

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