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Martin Foot: What’s a mistake?
Manage episode 260144918 series 2639010
See pictures and read more on materiallyspeaking.com
Liverpudlian Martin Foot always loved learning and since childhood dreamt of carving in stone. At the age of 13 he worked weekends for his uncle, a stone mason. At 19 he took a one-way ticket to Australia to try his luck and found himself carving in the company of Italians, who spoke of home. This sowed the seeds in Martin’s mind of some day working there himself. In 1996 he finally came to Italy, arriving in Pietrasanta at the end of a golden age when small sculpture studios still existed throughout the town.
Martin speaks of his essential faith in today's youth. He believes if we give them an opportunity they’ll take it. ‘We’re responsible for them’ he says. He helps young carvers where he can, adding, ‘what’s a mistake? It's a mistake if you don’t learn by an error.’
He finds working in restoration invaluable because by looking at the original pieces, he's made aware of the level he needs to achieve. As Martin says, 'if you’re not studying it, you won’t know how high the bar is. If you want to know how good you are, don’t compare yourself to the person standing next to you, go into one of the beautiful art galleries'.
60 episoade
Manage episode 260144918 series 2639010
See pictures and read more on materiallyspeaking.com
Liverpudlian Martin Foot always loved learning and since childhood dreamt of carving in stone. At the age of 13 he worked weekends for his uncle, a stone mason. At 19 he took a one-way ticket to Australia to try his luck and found himself carving in the company of Italians, who spoke of home. This sowed the seeds in Martin’s mind of some day working there himself. In 1996 he finally came to Italy, arriving in Pietrasanta at the end of a golden age when small sculpture studios still existed throughout the town.
Martin speaks of his essential faith in today's youth. He believes if we give them an opportunity they’ll take it. ‘We’re responsible for them’ he says. He helps young carvers where he can, adding, ‘what’s a mistake? It's a mistake if you don’t learn by an error.’
He finds working in restoration invaluable because by looking at the original pieces, he's made aware of the level he needs to achieve. As Martin says, 'if you’re not studying it, you won’t know how high the bar is. If you want to know how good you are, don’t compare yourself to the person standing next to you, go into one of the beautiful art galleries'.
60 episoade
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