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Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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s3e58 marble lithography with artist Anna Trojanowska

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Manage episode 421947377 series 3486239
Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In s3e59, Platemark host Ann Shafer continues talking to artists included in Print Austin’s 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Second up is Anna Trojanowska, an artist and lithographer from Wroclaw, Poland. Anna creates collages made from lithographs, which she creates on a single marble slab in her garage studio. The works included in 5x5 seek to give the feeling of echolalia, a form of autism in which words and phrases are repeated over and over. That repetition is a central part of the collages and gives the feeling of uncontrolled reverberation.

Ann and Anna talk about falling in love with lithography, what it’s like to use marble instead of limestone, how the veins in marble wander as the stone is ground down, how to transfer sound into images, and the surprise technique she would turn to if she had to give up lithography.

Cover image by Marcin Simonides

Anna Trojanowska (Polish, born 1978). Echolalia_12, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_14, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_16, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_19, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_20, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna's website: https://litografia.pl/en/authors/

  continue reading

121 episoade

Artwork
iconDistribuie
 
Manage episode 421947377 series 3486239
Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In s3e59, Platemark host Ann Shafer continues talking to artists included in Print Austin’s 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Second up is Anna Trojanowska, an artist and lithographer from Wroclaw, Poland. Anna creates collages made from lithographs, which she creates on a single marble slab in her garage studio. The works included in 5x5 seek to give the feeling of echolalia, a form of autism in which words and phrases are repeated over and over. That repetition is a central part of the collages and gives the feeling of uncontrolled reverberation.

Ann and Anna talk about falling in love with lithography, what it’s like to use marble instead of limestone, how the veins in marble wander as the stone is ground down, how to transfer sound into images, and the surprise technique she would turn to if she had to give up lithography.

Cover image by Marcin Simonides

Anna Trojanowska (Polish, born 1978). Echolalia_12, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_14, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_16, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_19, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna Trojanowska (Polish, born 1978). Echolalia_20, 2022. Carrara marble lithograph, collage. 16 x 12 in. Courtesy of the Artist.

Anna's website: https://litografia.pl/en/authors/

  continue reading

121 episoade

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