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(Pop) Cultural Marxism, Episode 5: Avatar: Cinema's Watery Grave

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Content provided by Mark DeLucas and Brooklyn Institute for Social Research. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark DeLucas and Brooklyn Institute for Social Research or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In episode 5 of (Pop) Cultural Marxism, Isi and Ajay dive deep into the spectacle of James Cameron’s latest blockbuster Avatar: The Way of Water, touching on questions of cinematic language, the ironic celebration of nature through its destructions, papyrus fonts, visual and narrative incoherence, Final Fantasy (and being unfair to it), Ridley Scott, Moby Dick, Heidegger’s question concerning technology, Prehistoric Planet, windmills, colonialism, György Lukács, Eiji Otsuka, Sontag's “Fascinating Fascism,” dubs vs. subs, 64-bit water, underwater motion capture, the shock doctrine, the movie's mildly eugenic obsession with sexualized (yet sexless) bodily perfection, James Cameron's legacy in crafting so much of the style of contemporary "cinematic universe" form, even the bizarre Manhattan mall where Isi and Ajay watched the movie. And, of course, lots and lots of water.

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11 episoade

Artwork
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Manage episode 409436946 series 3560963
Content provided by Mark DeLucas and Brooklyn Institute for Social Research. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark DeLucas and Brooklyn Institute for Social Research or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In episode 5 of (Pop) Cultural Marxism, Isi and Ajay dive deep into the spectacle of James Cameron’s latest blockbuster Avatar: The Way of Water, touching on questions of cinematic language, the ironic celebration of nature through its destructions, papyrus fonts, visual and narrative incoherence, Final Fantasy (and being unfair to it), Ridley Scott, Moby Dick, Heidegger’s question concerning technology, Prehistoric Planet, windmills, colonialism, György Lukács, Eiji Otsuka, Sontag's “Fascinating Fascism,” dubs vs. subs, 64-bit water, underwater motion capture, the shock doctrine, the movie's mildly eugenic obsession with sexualized (yet sexless) bodily perfection, James Cameron's legacy in crafting so much of the style of contemporary "cinematic universe" form, even the bizarre Manhattan mall where Isi and Ajay watched the movie. And, of course, lots and lots of water.

  continue reading

11 episoade

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