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Season 2 Episode 65 with Ebas

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Content provided by Popanimecomics Lounge. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Popanimecomics Lounge or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In episode 115 ( Season 2, Episode 65)I interviewed comic artist Ebas who has worked for DC Comics, Top Cow, Zenescope, and on his own series. In the interview we talk about how he first got into comics, what it was like working for Top Cow under Mark Silvestri, and working on Magdalena. We also talk about him transitioning from doing interior art work to doing cover work and how he discovered Zenescope and how he helped to usher in the good girl art era for that company. We also talk about several of his covers and what he feels makes a good cover in particular for Zenescope. Furthermore, we talk about his work for DC Comics and how it has been featured all over the world and his current comic series Mojo and what that entails. He also gives several pieces of advice for anyone who is looking to become an artist in the industry. Social Media Links Instagram: ericbasaldua Website: www.ebasmojo.com
  continue reading

122 episoade

Artwork
iconDistribuie
 
Manage episode 268882494 series 1083917
Content provided by Popanimecomics Lounge. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Popanimecomics Lounge or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In episode 115 ( Season 2, Episode 65)I interviewed comic artist Ebas who has worked for DC Comics, Top Cow, Zenescope, and on his own series. In the interview we talk about how he first got into comics, what it was like working for Top Cow under Mark Silvestri, and working on Magdalena. We also talk about him transitioning from doing interior art work to doing cover work and how he discovered Zenescope and how he helped to usher in the good girl art era for that company. We also talk about several of his covers and what he feels makes a good cover in particular for Zenescope. Furthermore, we talk about his work for DC Comics and how it has been featured all over the world and his current comic series Mojo and what that entails. He also gives several pieces of advice for anyone who is looking to become an artist in the industry. Social Media Links Instagram: ericbasaldua Website: www.ebasmojo.com
  continue reading

122 episoade

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