In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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20 - Skinamarink director Kyle Edward Ball
Manage episode 352337117 series 3303733
Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Five years ago Kyle Edward Ball started making short horror videos inspired by people’s nightmares and posting them on YouTube. His debut feature Skinamarink—shot for just $15,000 in his childhood home in Edmonton, Canada—was the breakout hit of last year’s Fantasia Film Festival, and came from out of nowhere to become one of the most anticipated upcoming horror films.
Ahead of the film’s theatrical release this Friday, Ball joined the Screen Slate pod over Zoom to talk about getting started as a filmmaking, finding his unique voice, the YouTube analog horror movement, straddling the line between narrative and dream logic, and his response to the film going viral before its release.
Links
Skinamarink trailer
Bitesized Nightmares
Heck (Skinamarink proof-of-concept short)
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
45 episoade
Distribuie
Manage episode 352337117 series 3303733
Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Five years ago Kyle Edward Ball started making short horror videos inspired by people’s nightmares and posting them on YouTube. His debut feature Skinamarink—shot for just $15,000 in his childhood home in Edmonton, Canada—was the breakout hit of last year’s Fantasia Film Festival, and came from out of nowhere to become one of the most anticipated upcoming horror films.
Ahead of the film’s theatrical release this Friday, Ball joined the Screen Slate pod over Zoom to talk about getting started as a filmmaking, finding his unique voice, the YouTube analog horror movement, straddling the line between narrative and dream logic, and his response to the film going viral before its release.
Links
Skinamarink trailer
Bitesized Nightmares
Heck (Skinamarink proof-of-concept short)
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
45 episoade
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Similar cu Screen Slate Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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