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SOPP663: My ultimate dream in regard to organ playing would be to gain the technical facility and coordination necessary to perform the masterworks of the Baroque repertoire

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Content provided by Secrets of Organ Playing. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Secrets of Organ Playing or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

This question was sent by Daniel, and he writes,
Hello Vidas,
My ultimate dream in regard to organ playing would be to gain the technical facility and coordination necessary to perform the masterworks of the Baroque repertoire (e.g., BWV 582, HWV 432, the entirety of BWV 1080).
Beyond that would be to gain the ability to improvise/think contrapuntally.
The three areas that are impeding these goals would be detailed as:

  • Development & understanding of physical technique/coordination.I come from a piano/composition background, and have a well-developed hand technique, but encounter difficulty cultivating the coordination between limbs, while maintaining a balanced position. I have also studied the literature available regarding coordinate technique, such as the writings of Abby Whiteside and the work of Dorothy Taubman/Edna Golandsky, and have been trying to apply these principles to organ technique, which has been a process of gradual integration. There are other methods of body re-education such as Feldenkrais or Alexander Technique, which may indirectly facilitate techniques that may be worth studying as well.
  • Audiation:I am also very interested in the concept of audiation, aural skills, or "mental hearing" and have studied the available literature as well (partimenti, thoroughbass, the pedagogy of Nadia Boulanger). The concept of understanding the music at a deeper level and eventually being able to "think contrapuntally" must certainly translate into greater musical capabilities. I am still experimenting with and researching different methods to cultivate this ability. Sight singing appears to be a great adjunct to this skill. There are those who can purportedly just read the sheet music and hear it in their head without the aid of an external instrument as well.
  • Fingering principles/Sight Reading:Prior to beginning organ, I have achieved a level of proficiency on the piano, and the fingering principles do not intuitively apply to the organ repertoire. This in turn hinders my ability to sight read. I am new to the repertoire, but am still trying to discern basic principles for good fingering choices.

I can expound on any of the items listed, if further detail if needed.
Thank you again and best regards,
~Daniel

  continue reading

964 episoade

Artwork
iconDistribuie
 
Manage episode 302332511 series 1109300
Content provided by Secrets of Organ Playing. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Secrets of Organ Playing or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

This question was sent by Daniel, and he writes,
Hello Vidas,
My ultimate dream in regard to organ playing would be to gain the technical facility and coordination necessary to perform the masterworks of the Baroque repertoire (e.g., BWV 582, HWV 432, the entirety of BWV 1080).
Beyond that would be to gain the ability to improvise/think contrapuntally.
The three areas that are impeding these goals would be detailed as:

  • Development & understanding of physical technique/coordination.I come from a piano/composition background, and have a well-developed hand technique, but encounter difficulty cultivating the coordination between limbs, while maintaining a balanced position. I have also studied the literature available regarding coordinate technique, such as the writings of Abby Whiteside and the work of Dorothy Taubman/Edna Golandsky, and have been trying to apply these principles to organ technique, which has been a process of gradual integration. There are other methods of body re-education such as Feldenkrais or Alexander Technique, which may indirectly facilitate techniques that may be worth studying as well.
  • Audiation:I am also very interested in the concept of audiation, aural skills, or "mental hearing" and have studied the available literature as well (partimenti, thoroughbass, the pedagogy of Nadia Boulanger). The concept of understanding the music at a deeper level and eventually being able to "think contrapuntally" must certainly translate into greater musical capabilities. I am still experimenting with and researching different methods to cultivate this ability. Sight singing appears to be a great adjunct to this skill. There are those who can purportedly just read the sheet music and hear it in their head without the aid of an external instrument as well.
  • Fingering principles/Sight Reading:Prior to beginning organ, I have achieved a level of proficiency on the piano, and the fingering principles do not intuitively apply to the organ repertoire. This in turn hinders my ability to sight read. I am new to the repertoire, but am still trying to discern basic principles for good fingering choices.

I can expound on any of the items listed, if further detail if needed.
Thank you again and best regards,
~Daniel

  continue reading

964 episoade

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This question was sent by Leo, and he writes Good evening, Thanks so much for the fine work that you and your staff render. I am currently moving into a new position as organist for the Second Presbyterian Church here in Memphis. I am ecstatic about this amazing opportunity. Are there any secrets or nuggets of wisdom as it pertains to learning difficult pieces quickly. Please advise or share what to purchase on your website. Thank you Leo You can support this channel by becoming a member here: https://www.youtube.com/channel/UCO4K3_6QVJI_HlI5PCFQqtg/join If you like what I do, you can buy me some coffee: https://www.buymeacoffee.com/organduo PayPal: https://PayPal.Me/VPinkevicius We support Ukraine: https://www.blue-yellow.lt/en My Hauptwerk setup: https://www.organduo.lt/tools.html Total Organist - the most comprehensive organ training program online: https://www.organduo.lt/total-organist Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt Listen to my organ playing on Spotify: https://open.spotify.com/artist/0ckKPIvTWucoN3CZwGodCO?si=YWy7_0HqRvaZwBcovL-RKg…
 
This question was sent by Richard, and he writes: “Hey Vidas, I just watched your video of 4 movements your Nun Danket Suite - VERY nice. Question: how do the tablets with the music score know when to switch as they do? Thanks! Richard” You can support this channel by becoming a member here: https://www.youtube.com/channel/UCO4K3_6QVJI_HlI5PCFQqtg/join If you like what I do, you can buy me some coffee: https://www.buymeacoffee.com/organduo PayPal: https://PayPal.Me/VPinkevicius We support Ukraine: https://www.blue-yellow.lt/en My Hauptwerk setup: https://www.organduo.lt/tools.html Total Organist - the most comprehensive organ training program online: https://www.organduo.lt/total-organist Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt Listen to my organ playing on Spotify: https://open.spotify.com/artist/0ckKPIvTWucoN3CZwGodCO?si=YWy7_0HqRvaZwBcovL-RKg…
 
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