In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 86: How to Build a Career in an Emerging Film Market
Serii arhivate ("Sursă inactivă" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Sursă inactivă status. Servele noastre nu au putut să preia o sursă valida de podcast pentru o perioadă îndelungată.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 218542022 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with Romanian super producer, Ada Solomon. Over the last 10 years, Ada has played a large role in the Eastern European film industry, producing some of the region’s most exciting films including: Maren Ade’s 'Toni Erdmann', Cãlin Peter Netzer’s 'Child’s Pose', and most recently Radu Jude’s 'I Do Not Care If We Go Down in History as Barbarians', which played at this year’s TIFF. When not producing, Solomon serves as the President of the Board for the ‘European Women’s Audiovisual Network’ (EWA), an organization founded to create greater gender equality for women audiovisual professionals throughout Europe.
Solomon talks about the early days of Romanian New Wave cinema, the challenges of distributing Romanian films internationally, and why, despite festival success, Romanian films have struggled to find a significant audience in their home country.
She also highlights the most exciting filmmakers currently working in Romania, her experience executive producing 'Toni Erdmann', and her role in promoting gender parity in European film.
102 episoade
Distribuie
Serii arhivate ("Sursă inactivă" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Sursă inactivă status. Servele noastre nu au putut să preia o sursă valida de podcast pentru o perioadă îndelungată.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 218542022 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with Romanian super producer, Ada Solomon. Over the last 10 years, Ada has played a large role in the Eastern European film industry, producing some of the region’s most exciting films including: Maren Ade’s 'Toni Erdmann', Cãlin Peter Netzer’s 'Child’s Pose', and most recently Radu Jude’s 'I Do Not Care If We Go Down in History as Barbarians', which played at this year’s TIFF. When not producing, Solomon serves as the President of the Board for the ‘European Women’s Audiovisual Network’ (EWA), an organization founded to create greater gender equality for women audiovisual professionals throughout Europe.
Solomon talks about the early days of Romanian New Wave cinema, the challenges of distributing Romanian films internationally, and why, despite festival success, Romanian films have struggled to find a significant audience in their home country.
She also highlights the most exciting filmmakers currently working in Romania, her experience executive producing 'Toni Erdmann', and her role in promoting gender parity in European film.
102 episoade
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Similar cu TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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