In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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12 - Peter Strickland - Sound Of The Underground
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Content provided by Sound Perspective. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Perspective or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Peter Strickland is the British auteur director of underground cult hits such as The Duke of Burgundy, Berberian Sound Studio and In Fabric, which this year premiered at Toronto International Film Festival. I got the pleasure of interviewing him while he was in Sydney for a Q&A at AFTRS. In this interview he talked about the struggles of post-production on a budget, his process of collaborating with composers, and how he uses music to communicate ideas to his actors. Got feedback? Send me an email at contact@soundperspectivepodcast.com or leave a review on iTunes Follow the Instagram and Facebook at Sound Perspective Podcast
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40 episoade
MP3•Pagina episodului
Manage episode 240044186 series 2509616
Content provided by Sound Perspective. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Perspective or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Peter Strickland is the British auteur director of underground cult hits such as The Duke of Burgundy, Berberian Sound Studio and In Fabric, which this year premiered at Toronto International Film Festival. I got the pleasure of interviewing him while he was in Sydney for a Q&A at AFTRS. In this interview he talked about the struggles of post-production on a budget, his process of collaborating with composers, and how he uses music to communicate ideas to his actors. Got feedback? Send me an email at contact@soundperspectivepodcast.com or leave a review on iTunes Follow the Instagram and Facebook at Sound Perspective Podcast
…
continue reading
40 episoade
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