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#33 – The Omen
Manage episode 245212880 series 1750562
Content provided by Settling the Score. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Settling the Score or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Just in time for Halloween, this episode is all for you! Hear what Revelations are in store as Jon and Andy discuss Jerry Goldsmith’s score to the 1976 horror flick The Omen. Should a horror film’s music know that it’s in a horror film? Where are all these voices coming from? And, is Neil Diamond really a Satanist?
70 episoade
Distribuie
Manage episode 245212880 series 1750562
Content provided by Settling the Score. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Settling the Score or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Just in time for Halloween, this episode is all for you! Hear what Revelations are in store as Jon and Andy discuss Jerry Goldsmith’s score to the 1976 horror flick The Omen. Should a horror film’s music know that it’s in a horror film? Where are all these voices coming from? And, is Neil Diamond really a Satanist?
70 episoade
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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