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Episodio 7: Martin Rejtman

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Content provided by Sinopsis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sinopsis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Llamamos a Buenos Aires para conversar con Martin Rejtman, guionista, director y escritor, autor de películas de culto como “Rapado”, “”Silvia Prieto” y “Dos Disparos”. Hablamos de qué diferencia escribir un guión de escribir literatura, y de cómo fue desarrollando una metodología propia para realizar su trabajo como guionista.

“Tengo que sentir un abismo delante mío, que no hay nada, para poder escribir”.

  continue reading

15 episoade

Artwork
iconDistribuie
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on May 10, 2023 07:29 (1+ y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 203078820 series 1532200
Content provided by Sinopsis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sinopsis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Llamamos a Buenos Aires para conversar con Martin Rejtman, guionista, director y escritor, autor de películas de culto como “Rapado”, “”Silvia Prieto” y “Dos Disparos”. Hablamos de qué diferencia escribir un guión de escribir literatura, y de cómo fue desarrollando una metodología propia para realizar su trabajo como guionista.

“Tengo que sentir un abismo delante mío, que no hay nada, para poder escribir”.

  continue reading

15 episoade

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