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STAGES Episode 511: RODNEY FISHER - Part 2

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Content provided by Peter Eyers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Peter Eyers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Rodney Fisher is a stage director who has worked in most major theatres in Australia and for all Australian theatre companies as well as Opera Australia, VSO, Bavarian State Opera, Royal Ballet London and Legs on the Wall. He has directed in England, Germany, Hungary, Hong Kong and at the Spoleto Festival, Charleston, South Carolina. He has worked in dance, film, video and written several theatre pieces and screenplays.

Highlights include: The Bastard from the Bush (Robin Ramsay one man show), A Star is Torn – also wrote – (Robyn Archer), Master Class, My Fair Lady (Anthony Warlow and Suzanne Johnston) and Steaming (legendary Australian tour). Work for the Sydney Theatre Company includes: The Lady in the Van, Pentecost, The Rain Dancers, The Secret Rapture, and The Doll Trilogy.

Rodney was Artistic Director of the State Theatre Company of South Australia from 1997 to 2000, directing The Department, Macbeth, The Idiot, Kafka Dances, Courtyard of Miracles, The Rose Tattoo and Twelfth Night.

Other credits include: Design for Living, Hay Fever (MTC); The Merry Widow (Ess Gee Productions); From Here to There (Legs on the Wall); A Winter’s Tale (QTC), Maria Stuarda, Lady Bracknell’s Confinement, Hello Dolly, My Darling It’s Noel, Shock of the New, La Traviata, A Violent Act (STC); Don John (SSO); and The Bookclub (Hit Productions/Ensemble theatre).

Rodney adapted, designed and directed Henry Purcell’s King Arthur for the 2016 Brisbane Baroque Festival, and directed the ACO production Barry Humphries' Weinmar Cabaret, starring his frequent collaborator, Meow Meow for its initial Australian season and its tour to London and North America.

Rodney Fisher is one of our master storytellers whose contributions to the theatre are substantial and of vital significance.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

  continue reading

539 episoade

Artwork
iconDistribuie
 
Manage episode 434789035 series 2276631
Content provided by Peter Eyers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Peter Eyers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Rodney Fisher is a stage director who has worked in most major theatres in Australia and for all Australian theatre companies as well as Opera Australia, VSO, Bavarian State Opera, Royal Ballet London and Legs on the Wall. He has directed in England, Germany, Hungary, Hong Kong and at the Spoleto Festival, Charleston, South Carolina. He has worked in dance, film, video and written several theatre pieces and screenplays.

Highlights include: The Bastard from the Bush (Robin Ramsay one man show), A Star is Torn – also wrote – (Robyn Archer), Master Class, My Fair Lady (Anthony Warlow and Suzanne Johnston) and Steaming (legendary Australian tour). Work for the Sydney Theatre Company includes: The Lady in the Van, Pentecost, The Rain Dancers, The Secret Rapture, and The Doll Trilogy.

Rodney was Artistic Director of the State Theatre Company of South Australia from 1997 to 2000, directing The Department, Macbeth, The Idiot, Kafka Dances, Courtyard of Miracles, The Rose Tattoo and Twelfth Night.

Other credits include: Design for Living, Hay Fever (MTC); The Merry Widow (Ess Gee Productions); From Here to There (Legs on the Wall); A Winter’s Tale (QTC), Maria Stuarda, Lady Bracknell’s Confinement, Hello Dolly, My Darling It’s Noel, Shock of the New, La Traviata, A Violent Act (STC); Don John (SSO); and The Bookclub (Hit Productions/Ensemble theatre).

Rodney adapted, designed and directed Henry Purcell’s King Arthur for the 2016 Brisbane Baroque Festival, and directed the ACO production Barry Humphries' Weinmar Cabaret, starring his frequent collaborator, Meow Meow for its initial Australian season and its tour to London and North America.

Rodney Fisher is one of our master storytellers whose contributions to the theatre are substantial and of vital significance.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

  continue reading

539 episoade

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