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The Choreographer - Tom Jackson-Greaves

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Content provided by Laura Nicholson, Ceri Owens, Laura Nicholson, and Ceri Owens. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Laura Nicholson, Ceri Owens, Laura Nicholson, and Ceri Owens or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Tom Jackson-Greaves is renowned throughout the industry for his creativity and versatility. Working on a wide range of productions, his extensive portfolio includes the likes of Amelie (Uk Tour and The Other Palace), Macbeth (The Watermill) and Priscilla Queen of the Desert (UK Tour) to name but a few. You can see the full list of Tom's choreographic endeavours on his website.
He has been the talk of the industry recently for his amazing work on the socially distanced production of RENT at the Hope Mill Theatre which you can stream online here (only 3 performances left so book now!!!)
Tom is the epitome of a ray of sunshine. His positive attitude and constant effort to put himself in other people's shoes is what makes him such a fantastic artistic. Collaboration is at the heart of everything he does and this is reflected in the atmosphere of his auditions and rehearsal rooms.
It was such a pleasure to chat to him about his career so far and what he hopes for the future of theatre. It lit a fire in my creative heart and I hope it does the same for you too.
If you'd like to watch Tom's short film in association with Kneehigh Theatre, 'The Neon Shadow' (YOU SHOULD!) you can find it here: kneehigh.co.uk/shows/the-neon-shadow/
Follow us on instagram @thebackstagerevolution
You can find Tom @tomjacksongreaves
As ever, this episode is recorded in support of the Theatres Trust #saveourtheatres campaign. Theatre needs our help now more than ever, so please donate what you can at https://www.crowdfunder.co.uk/save-our-theatres

  continue reading

13 episoade

Artwork
iconDistribuie
 

Fetch error

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Manage episode 280294339 series 2819816
Content provided by Laura Nicholson, Ceri Owens, Laura Nicholson, and Ceri Owens. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Laura Nicholson, Ceri Owens, Laura Nicholson, and Ceri Owens or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Tom Jackson-Greaves is renowned throughout the industry for his creativity and versatility. Working on a wide range of productions, his extensive portfolio includes the likes of Amelie (Uk Tour and The Other Palace), Macbeth (The Watermill) and Priscilla Queen of the Desert (UK Tour) to name but a few. You can see the full list of Tom's choreographic endeavours on his website.
He has been the talk of the industry recently for his amazing work on the socially distanced production of RENT at the Hope Mill Theatre which you can stream online here (only 3 performances left so book now!!!)
Tom is the epitome of a ray of sunshine. His positive attitude and constant effort to put himself in other people's shoes is what makes him such a fantastic artistic. Collaboration is at the heart of everything he does and this is reflected in the atmosphere of his auditions and rehearsal rooms.
It was such a pleasure to chat to him about his career so far and what he hopes for the future of theatre. It lit a fire in my creative heart and I hope it does the same for you too.
If you'd like to watch Tom's short film in association with Kneehigh Theatre, 'The Neon Shadow' (YOU SHOULD!) you can find it here: kneehigh.co.uk/shows/the-neon-shadow/
Follow us on instagram @thebackstagerevolution
You can find Tom @tomjacksongreaves
As ever, this episode is recorded in support of the Theatres Trust #saveourtheatres campaign. Theatre needs our help now more than ever, so please donate what you can at https://www.crowdfunder.co.uk/save-our-theatres

  continue reading

13 episoade

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