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In the Studio: Michael Visocchi

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Manage episode 462010164 series 2502804
Content provided by BBC and BBC World Service. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC World Service or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In an old schoolroom in the Scottish Highlands, sculptor Michael Visocchi is working on Commensalis, a huge work that will be installed thousands of miles away, in Grytviken, an abandoned whaling station on the Antarctic island of South Georgia. Whaling ships and equipment were taken Grytviken and assembled there. Now it is an industrial scrapyard; ships rust on the shore, huge tanks decay and millions of left over rivets remain. Visocchi was struck by the similarity of shape of these rivets and the bumps of the barnacles on the bodies of living whales.Visocchi talks to presenter Julian May as he works on this project which is challenging in so many ways. South Georgia has no permanent population, so is a public artwork appropriate?

  continue reading

2024 episoade

Artwork

In the Studio: Michael Visocchi

The Documentary Podcast

1,435 subscribers

published

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Manage episode 462010164 series 2502804
Content provided by BBC and BBC World Service. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC World Service or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

In an old schoolroom in the Scottish Highlands, sculptor Michael Visocchi is working on Commensalis, a huge work that will be installed thousands of miles away, in Grytviken, an abandoned whaling station on the Antarctic island of South Georgia. Whaling ships and equipment were taken Grytviken and assembled there. Now it is an industrial scrapyard; ships rust on the shore, huge tanks decay and millions of left over rivets remain. Visocchi was struck by the similarity of shape of these rivets and the bumps of the barnacles on the bodies of living whales.Visocchi talks to presenter Julian May as he works on this project which is challenging in so many ways. South Georgia has no permanent population, so is a public artwork appropriate?

  continue reading

2024 episoade

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