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Making Movies in Prison, with Rahsaan Thomas and Thanh Tran

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Manage episode 429219169 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In April, Film Comment published an article by Phillip Vance Smith II, titled “Streaming Behind Bars.” Phillip is an incarcerated writer, and his piece delves into the ways in which people in prison watch movies—the technology they’re able to use, the programming they can access, and the exorbitant costs involved. That piece was facilitated by Empowerment Avenue, an organization that supports incarcerated artists and writers. Empowerment Ave was founded by Rahsaan Thomas, a journalist who launched the initiative while he was himself in prison. Rahsaan is also an award-winning filmmaker who started making movies while he was behind bars—and now works with other incarcerated and system-impacted filmmakers to help them tell their stories. On today’s episode, Film Comment Editors Devika Girish and Clinton Krute are joined by Rahsaan and fellow filmmaker and organizer Thanh Tran, who also started making films while incarcerated at San Quentin Rehabilitation Center in Northern California. The two of them share insights from their experience of directing films while imprisoned—the resources that made it possible, the unique challenges they faced, and why they felt it was important for them to take their narratives into their own hands. They also discuss Rahsaan’s short film Friendly Signs, currently making its way around the festival circuit, Thanh’s in-production documentary, Finding Ma, and the upcoming San Quentin Film Festival, which is being organized by Rahsaan and will take place at the prison.
  continue reading

519 episoade

Artwork
iconDistribuie
 
Manage episode 429219169 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In April, Film Comment published an article by Phillip Vance Smith II, titled “Streaming Behind Bars.” Phillip is an incarcerated writer, and his piece delves into the ways in which people in prison watch movies—the technology they’re able to use, the programming they can access, and the exorbitant costs involved. That piece was facilitated by Empowerment Avenue, an organization that supports incarcerated artists and writers. Empowerment Ave was founded by Rahsaan Thomas, a journalist who launched the initiative while he was himself in prison. Rahsaan is also an award-winning filmmaker who started making movies while he was behind bars—and now works with other incarcerated and system-impacted filmmakers to help them tell their stories. On today’s episode, Film Comment Editors Devika Girish and Clinton Krute are joined by Rahsaan and fellow filmmaker and organizer Thanh Tran, who also started making films while incarcerated at San Quentin Rehabilitation Center in Northern California. The two of them share insights from their experience of directing films while imprisoned—the resources that made it possible, the unique challenges they faced, and why they felt it was important for them to take their narratives into their own hands. They also discuss Rahsaan’s short film Friendly Signs, currently making its way around the festival circuit, Thanh’s in-production documentary, Finding Ma, and the upcoming San Quentin Film Festival, which is being organized by Rahsaan and will take place at the prison.
  continue reading

519 episoade

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