In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Nicholas Marcus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Marcus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Awards Season: Best Original Scores at the BAFTAs and the Oscars
Manage episode 400986476 series 2827045
Content provided by Nicholas Marcus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Marcus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The BAFTAs air on February 18 and the Oscars on March 10 - I know many folks don't necessarily like the awards season, but it's the time of year where film music has the spotlight on it and is celebrated in the mainstream. As such, here's a little peek into the seven nominated scores between the two awards.
I've also done interviews on four of the eight nominated scores, so seek those out as well
BAFTAs:
- Killers of the Flower Moon – Robbie Robertson
- Oppenheimer – Ludwig Göransson
- Poor Things – Jerskin Fendrix
- Saltburn – Anthony Willis
- Spider-Man: Across the Spider-Verse – Daniel Pemberton
Oscars:
- Killers of the Flower Moon – Robbie Robertson
- Oppenheimer – Ludwig Göransson
- Poor Things – Jerskin Fendrix
- American Fiction – Laura Karpman
- Indiana Jones and the Dial of Destiny – John Williams
114 episoade
Distribuie
Manage episode 400986476 series 2827045
Content provided by Nicholas Marcus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Marcus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
The BAFTAs air on February 18 and the Oscars on March 10 - I know many folks don't necessarily like the awards season, but it's the time of year where film music has the spotlight on it and is celebrated in the mainstream. As such, here's a little peek into the seven nominated scores between the two awards.
I've also done interviews on four of the eight nominated scores, so seek those out as well
BAFTAs:
- Killers of the Flower Moon – Robbie Robertson
- Oppenheimer – Ludwig Göransson
- Poor Things – Jerskin Fendrix
- Saltburn – Anthony Willis
- Spider-Man: Across the Spider-Verse – Daniel Pemberton
Oscars:
- Killers of the Flower Moon – Robbie Robertson
- Oppenheimer – Ludwig Göransson
- Poor Things – Jerskin Fendrix
- American Fiction – Laura Karpman
- Indiana Jones and the Dial of Destiny – John Williams
114 episoade
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Similar cu The Film Scorer
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
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…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
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continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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