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The Play’s the Thing: Elizabethan Acting Style and Stage Conventions

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Manage episode 383482168 series 2798781
Content provided by Philip Rowe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Philip Rowe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Episode 110:

The problems of the lack of evidence about conventions and acting style.

How a player learned his craft.

The rhetorical or performance style of acting.

Theatre as a poetic form.

The rhetorical style is overtaken by a more naturalistic style.

Stage sets and costume.

Thomas Hayward’s thoughts on a player’s skills.

Hayward on players as scholars.

The impact of Iambic Pentameter.

Hayward on Alleyn and Perkins playing Barabas in ‘The Jew of Malta’.

The convention of the soliloquy.

The convention of the aside.

The convention of eavesdropping.

The convention of boy players and female roles.

The convention of the play within the play.

The convention of the masque.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

156 episoade

Artwork
iconDistribuie
 
Manage episode 383482168 series 2798781
Content provided by Philip Rowe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Philip Rowe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Episode 110:

The problems of the lack of evidence about conventions and acting style.

How a player learned his craft.

The rhetorical or performance style of acting.

Theatre as a poetic form.

The rhetorical style is overtaken by a more naturalistic style.

Stage sets and costume.

Thomas Hayward’s thoughts on a player’s skills.

Hayward on players as scholars.

The impact of Iambic Pentameter.

Hayward on Alleyn and Perkins playing Barabas in ‘The Jew of Malta’.

The convention of the soliloquy.

The convention of the aside.

The convention of eavesdropping.

The convention of boy players and female roles.

The convention of the play within the play.

The convention of the masque.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

156 episoade

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