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How to win an Oscar for Sound Design with Nina Hartstone

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Manage episode 425662932 series 3526573
Content provided by Jim Eaves. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jim Eaves or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

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#sounddesign #academyaward #oscar
This week on the podcast I’m talking to academy award winning supervising sound editor Nina Hartstone.
Nina has been working in the business for over thirty years, she’s worked her way up from assistant sound editor roles in the 90s right through to winning an Oscar for her work on Bohemian Rhapsody.
Her recent projects include Saltburn, Enola Holmes 1 and 2 and 'I wanna dance with somebody'. I spoke to Nina about how she got started in the business, her advice for people starting out, what makes good sound design and what it was like winning an Oscar.

For regular updates and exclusive content - sign up for The Honest Filmmaker newsletter
https://thehonestfilmmaker.co.uk/index.php/e-newsletter/
Join The Honest Filmmaker community on our Facebook Group or Discord
https://thehonestfilmmaker.co.uk/index.php/join-the-community/
HONEST, OPEN ADVICE ABOUT YOUR FILMMAKING CAREER
Are you about to leave Uni with a filmmaking degree? Or want to change careers and work in a creative industry? We want to give you the tools you need to enter the real world of production or freelancing. Honest and open career advice from people in the business.
We also talk to those in other creative industries to discuss their careers, the potential cross over with film production and practical tips for a successful and fulfilling career.
Join the community: http://www.thehonestfilmmaker.co.uk

  continue reading

Capitole

1. All about Nina (00:00:00)

2. Nina's path into the industry (00:00:56)

3. Cyborg Cop! (00:02:50)

4. Supervising sound editor - what does the role encompass? (00:03:53)

5. How has the industry changed over the years? (00:04:44)

6. Advice for someone leaving uni? (00:06:37)

7. What makes good sound design? (00:08:16)

8. How a scene plays (00:09:55)

9. ADR, dialog recording - how Nina watches movies (00:10:44)

10. Tips for working with actors (00:11:54)

11. Bohemian Rhapsody - working with classic Queen tracks (00:13:39)

12. Is Nina sick of Queen music? (00:15:12)

13. Winning an Academy Award (00:15:54)

14. Memories from the night Nina won her Oscar (00:17:35)

52 episoade

Artwork
iconDistribuie
 
Manage episode 425662932 series 3526573
Content provided by Jim Eaves. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jim Eaves or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Send us a text

#sounddesign #academyaward #oscar
This week on the podcast I’m talking to academy award winning supervising sound editor Nina Hartstone.
Nina has been working in the business for over thirty years, she’s worked her way up from assistant sound editor roles in the 90s right through to winning an Oscar for her work on Bohemian Rhapsody.
Her recent projects include Saltburn, Enola Holmes 1 and 2 and 'I wanna dance with somebody'. I spoke to Nina about how she got started in the business, her advice for people starting out, what makes good sound design and what it was like winning an Oscar.

For regular updates and exclusive content - sign up for The Honest Filmmaker newsletter
https://thehonestfilmmaker.co.uk/index.php/e-newsletter/
Join The Honest Filmmaker community on our Facebook Group or Discord
https://thehonestfilmmaker.co.uk/index.php/join-the-community/
HONEST, OPEN ADVICE ABOUT YOUR FILMMAKING CAREER
Are you about to leave Uni with a filmmaking degree? Or want to change careers and work in a creative industry? We want to give you the tools you need to enter the real world of production or freelancing. Honest and open career advice from people in the business.
We also talk to those in other creative industries to discuss their careers, the potential cross over with film production and practical tips for a successful and fulfilling career.
Join the community: http://www.thehonestfilmmaker.co.uk

  continue reading

Capitole

1. All about Nina (00:00:00)

2. Nina's path into the industry (00:00:56)

3. Cyborg Cop! (00:02:50)

4. Supervising sound editor - what does the role encompass? (00:03:53)

5. How has the industry changed over the years? (00:04:44)

6. Advice for someone leaving uni? (00:06:37)

7. What makes good sound design? (00:08:16)

8. How a scene plays (00:09:55)

9. ADR, dialog recording - how Nina watches movies (00:10:44)

10. Tips for working with actors (00:11:54)

11. Bohemian Rhapsody - working with classic Queen tracks (00:13:39)

12. Is Nina sick of Queen music? (00:15:12)

13. Winning an Academy Award (00:15:54)

14. Memories from the night Nina won her Oscar (00:17:35)

52 episoade

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