In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 247: Cannes 2024: Jon Dieringer on The Apprentice, The Substance, Megalopolis Squared
Manage episode 419522822 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 247: Cannes 2024: Jon Dieringer on The Apprentice, The Substance, Megalopolis Squared Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode on the 2024 Cannes Film Festival, I’m joined by Jon Dieringer, editor and mastermind of Screen Slate, to cope with a couple of doozies in this year’s lineup. First up is The Apprentice (directed by Ali Abbasi), also known as The Trump Movie, followed by the full-on The Substance (Coralie Fargeat). Both movies also allow an opportunity to muse upon the hot-house festival atmosphere, and Dieringer also share a few thoughts on Megalopolis (Francis Ford Coppola), which he has already seen twice. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Manage episode 419522822 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 247: Cannes 2024: Jon Dieringer on The Apprentice, The Substance, Megalopolis Squared Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode on the 2024 Cannes Film Festival, I’m joined by Jon Dieringer, editor and mastermind of Screen Slate, to cope with a couple of doozies in this year’s lineup. First up is The Apprentice (directed by Ali Abbasi), also known as The Trump Movie, followed by the full-on The Substance (Coralie Fargeat). Both movies also allow an opportunity to muse upon the hot-house festival atmosphere, and Dieringer also share a few thoughts on Megalopolis (Francis Ford Coppola), which he has already seen twice. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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