In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 273: Amy Taubin on NYFF: Nickel Boys, My Undesirable Friends, Godard and Serra, No Other Land
Manage episode 443742737 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 273: Amy Taubin on NYFF: Nickel Boys, My Undesirable Friends, New Godard and Albert Serra, No Other Land, Rumours Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the New York Film Festival presents a kind of best-of-the-year selection for its 62nd edition, I sat down with the one and only Amy Taubin to discuss a few highlights. Titles discussed include: Nickel Boys, RaMell Ross’s extraordinary debut fiction feature which we had just seen on opening night; Jean-Luc Godard’s Scénarios and Exposé du Film annonce du film “Scénario”; It’s Not Me (Leos Carax); My Undesirable Friends: Part I — Last Air in Moscow (Julia Loktev), a world premiere; No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor); Union (Brett Story, Stephen Maing); Dahomey (Mati Diop); All We Imagine as Light (Payal Kapadia); Rumours (Guy Maddin, Evan Johnson, Galen Johnson); and Afternoons of Solitude (Albert Serra). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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303 episoade
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Manage episode 443742737 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Ep. 273: Amy Taubin on NYFF: Nickel Boys, My Undesirable Friends, New Godard and Albert Serra, No Other Land, Rumours Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the New York Film Festival presents a kind of best-of-the-year selection for its 62nd edition, I sat down with the one and only Amy Taubin to discuss a few highlights. Titles discussed include: Nickel Boys, RaMell Ross’s extraordinary debut fiction feature which we had just seen on opening night; Jean-Luc Godard’s Scénarios and Exposé du Film annonce du film “Scénario”; It’s Not Me (Leos Carax); My Undesirable Friends: Part I — Last Air in Moscow (Julia Loktev), a world premiere; No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor); Union (Brett Story, Stephen Maing); Dahomey (Mati Diop); All We Imagine as Light (Payal Kapadia); Rumours (Guy Maddin, Evan Johnson, Galen Johnson); and Afternoons of Solitude (Albert Serra). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Similar cu The Last Thing I Saw
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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