In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Civil War
Manage episode 413824524 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In addition to being a thought-provoking movie about how close we are to disintegrating as a society, Alex Garland’s Civil War is a rollicking cinematic experience.
We discuss the film’s affection for journalism, the intricate character work that Garland is able to accomplish via action sequences, and the film’s stand-out moments.
One of them involves a scene-stealing cameo by Jesse Plemons, and the other is an extended climactic action sequence that works viscerally and emotionally.
—
Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episoade
Distribuie
Manage episode 413824524 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
In addition to being a thought-provoking movie about how close we are to disintegrating as a society, Alex Garland’s Civil War is a rollicking cinematic experience.
We discuss the film’s affection for journalism, the intricate character work that Garland is able to accomplish via action sequences, and the film’s stand-out moments.
One of them involves a scene-stealing cameo by Jesse Plemons, and the other is an extended climactic action sequence that works viscerally and emotionally.
—
Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episoade
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Similar cu The Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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