In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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The Killer
Manage episode 383188081 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Is The Killer one of David Fincher’s most inconsequential movies?
We discuss the film’s subversive approach to the conventions of assassin cinema, Fincher’s clinical treatment of the subject matter, and the odd bursts of humour that he peppers through the two-hour narrative.
We also talk about Michael Fassbender’s statue-esque performance, and spend a considerable amount of time trying to decipher the meaning behind the meaninglessness.
—
Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Twitter, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episoade
Distribuie
Manage episode 383188081 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Is The Killer one of David Fincher’s most inconsequential movies?
We discuss the film’s subversive approach to the conventions of assassin cinema, Fincher’s clinical treatment of the subject matter, and the odd bursts of humour that he peppers through the two-hour narrative.
We also talk about Michael Fassbender’s statue-esque performance, and spend a considerable amount of time trying to decipher the meaning behind the meaninglessness.
—
Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Twitter, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episoade
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Similar cu The Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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