In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 65: Supernatural Girls
Manage episode 316431691 series 2606788
Content provided by The Nasty Pasty Podcast and Andy Roberts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Nasty Pasty Podcast and Andy Roberts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Otherwordly forces and teenage girls conflate in the latest episode from the Nasty Pasty Podcast, covering two Supernatural Girl films featuring mistresses of malevolence with those oh-so-terrifying powers we all love. Witness the foul language and blasphemous bluster of Regan MacNeil in William Friedkin’s The Exorcist, as well as the ethereal teleporation and sand-spawning terror of Susie Hacker in Lucio Fulci’s Manhattan Baby.
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Distribuie
Manage episode 316431691 series 2606788
Content provided by The Nasty Pasty Podcast and Andy Roberts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Nasty Pasty Podcast and Andy Roberts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Otherwordly forces and teenage girls conflate in the latest episode from the Nasty Pasty Podcast, covering two Supernatural Girl films featuring mistresses of malevolence with those oh-so-terrifying powers we all love. Witness the foul language and blasphemous bluster of Regan MacNeil in William Friedkin’s The Exorcist, as well as the ethereal teleporation and sand-spawning terror of Susie Hacker in Lucio Fulci’s Manhattan Baby.
92 episoade
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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