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How Alice in Chains' Sonic Alchemy Led to the Unique Sounds of Dirt: The Opus

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Manage episode 343893207 series 2969642
Content provided by Consequence Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Consequence Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

When you think of the Seattle Sound, certain sonic hallmarks likely come to mind. As we explore in Episode 2 of The Opus: Dirt, however, Alice in Chains occupied a unique space in this musical landscape.

The band didn't ease its fans into the sound of Dirt. The opening notes of "Them Bones" jolt you directly into an aggressive energy and there’s barely room to catch your breath over the length of the LP. But at the heart of this sensory assault lies an intricate web of virtuoso musicianship and dynamic vocal harmonies. The chunky, muscular guitar riffs and multi-layered vocals created a sound that spurred a generation of imitators.

On this episode of the music history podcast The Opus: Alice in Chains' Dirt, host Adam Unze dives into the unique backstory of the album's composition and discovers why its particular musical alchemy set it apart from the other monster hits of the grunge scene. Joining him on the journey are Baroness' Gina Gleason, Anthrax drummer Charlie Benante, City and Colour musician Dallas Green, Layne Ulrich of Taipei Houston (and son of Metallica drummer Lars Ulrich), and Goon's Kenny Becker and Andy Polito.

Don't forget to like, review, and subscribe wherever you get your podcasts to be notified of each new episode of Season 18. Also, check out the Consequence Podcast Network for information on all our shows.

Fans of The Opus can also pick up an official Opus hoodie or T-shirt at the Consequence Shop.


Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
  continue reading

89 episoade

Artwork
iconDistribuie
 
Manage episode 343893207 series 2969642
Content provided by Consequence Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Consequence Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

When you think of the Seattle Sound, certain sonic hallmarks likely come to mind. As we explore in Episode 2 of The Opus: Dirt, however, Alice in Chains occupied a unique space in this musical landscape.

The band didn't ease its fans into the sound of Dirt. The opening notes of "Them Bones" jolt you directly into an aggressive energy and there’s barely room to catch your breath over the length of the LP. But at the heart of this sensory assault lies an intricate web of virtuoso musicianship and dynamic vocal harmonies. The chunky, muscular guitar riffs and multi-layered vocals created a sound that spurred a generation of imitators.

On this episode of the music history podcast The Opus: Alice in Chains' Dirt, host Adam Unze dives into the unique backstory of the album's composition and discovers why its particular musical alchemy set it apart from the other monster hits of the grunge scene. Joining him on the journey are Baroness' Gina Gleason, Anthrax drummer Charlie Benante, City and Colour musician Dallas Green, Layne Ulrich of Taipei Houston (and son of Metallica drummer Lars Ulrich), and Goon's Kenny Becker and Andy Polito.

Don't forget to like, review, and subscribe wherever you get your podcasts to be notified of each new episode of Season 18. Also, check out the Consequence Podcast Network for information on all our shows.

Fans of The Opus can also pick up an official Opus hoodie or T-shirt at the Consequence Shop.


Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
  continue reading

89 episoade

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