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122: John Blease - Robert Plant, Florence & The Machine, Paolo Nutini
Manage episode 441945495 series 1512481
Content provided by simmollr and The StageLeft Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by simmollr and The StageLeft Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
What’s it like getting feedback from Robert Plant when playing on Led Zeppelin songs?
How do we best deal with song changes on the day of the gig?
How to best negotiate fees to ensure everyone is paid fairly?
What makes Paolo Nutini unique to work with?
How did the recent Florence and the Machine Royal Albert Hall show work logistically?
Hosted by Chris Simpson - you can reach out to Chris directly for 121 professional development coaching, or Mental Health First Aid training via www.thestageleftpodcast.com/coaching
Edited by Darcy Dewar.
Thank you too, to Beth Iles, Tymon Firmin and Annabel Rose-Jones for their help with this episode.
How do we best deal with song changes on the day of the gig?
How to best negotiate fees to ensure everyone is paid fairly?
What makes Paolo Nutini unique to work with?
How did the recent Florence and the Machine Royal Albert Hall show work logistically?
Hosted by Chris Simpson - you can reach out to Chris directly for 121 professional development coaching, or Mental Health First Aid training via www.thestageleftpodcast.com/coaching
Edited by Darcy Dewar.
Thank you too, to Beth Iles, Tymon Firmin and Annabel Rose-Jones for their help with this episode.
121 episoade
Distribuie
Manage episode 441945495 series 1512481
Content provided by simmollr and The StageLeft Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by simmollr and The StageLeft Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
What’s it like getting feedback from Robert Plant when playing on Led Zeppelin songs?
How do we best deal with song changes on the day of the gig?
How to best negotiate fees to ensure everyone is paid fairly?
What makes Paolo Nutini unique to work with?
How did the recent Florence and the Machine Royal Albert Hall show work logistically?
Hosted by Chris Simpson - you can reach out to Chris directly for 121 professional development coaching, or Mental Health First Aid training via www.thestageleftpodcast.com/coaching
Edited by Darcy Dewar.
Thank you too, to Beth Iles, Tymon Firmin and Annabel Rose-Jones for their help with this episode.
How do we best deal with song changes on the day of the gig?
How to best negotiate fees to ensure everyone is paid fairly?
What makes Paolo Nutini unique to work with?
How did the recent Florence and the Machine Royal Albert Hall show work logistically?
Hosted by Chris Simpson - you can reach out to Chris directly for 121 professional development coaching, or Mental Health First Aid training via www.thestageleftpodcast.com/coaching
Edited by Darcy Dewar.
Thank you too, to Beth Iles, Tymon Firmin and Annabel Rose-Jones for their help with this episode.
121 episoade
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Similar cu The StageLeft Podcast
An independent radio station from Tel Aviv. For music lovers by music lovers.
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continue reading
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continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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…
continue reading
The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.
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continue reading
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continue reading
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continue reading
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