In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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Content provided by YVR Screen Scene and Sabrina Furminger. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by YVR Screen Scene and Sabrina Furminger or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
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Episode 316: Joel McCarthy Returns
Manage episode 426138423 series 2640551
Content provided by YVR Screen Scene and Sabrina Furminger. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by YVR Screen Scene and Sabrina Furminger or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Joel McCarthy is a filmmaker (Taking My Parents to Burning Man, I Am Alfred Hitchcock), an educator, a producer, an award winner, and a celebrated industry shit-disturber who eschews gatekeeping, speaks truth to power, and builds community through bonkers-popular filmmaking events like Shits N Giggles and Run N Gun. On June 29, the latter caps off its ninth edition (which had 2000 filmmakers creating 149 films in 48 hours) with two electrifying screenings at Vancouver’s iconic Orpheum Theatre. In the busy days before the screenings, Joel swung by the YVR Screen Scene studio to reflect on a decade of shit-disturbing, whether or not he’s (gasp!) gone establishment, the health of Vancouver’s indie filmmaking scene, and why this year’s Run N Gun is the biggest yet. Episode sponsor: Fish Flight Entertainment
289 episoade
Distribuie
Manage episode 426138423 series 2640551
Content provided by YVR Screen Scene and Sabrina Furminger. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by YVR Screen Scene and Sabrina Furminger or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Joel McCarthy is a filmmaker (Taking My Parents to Burning Man, I Am Alfred Hitchcock), an educator, a producer, an award winner, and a celebrated industry shit-disturber who eschews gatekeeping, speaks truth to power, and builds community through bonkers-popular filmmaking events like Shits N Giggles and Run N Gun. On June 29, the latter caps off its ninth edition (which had 2000 filmmakers creating 149 films in 48 hours) with two electrifying screenings at Vancouver’s iconic Orpheum Theatre. In the busy days before the screenings, Joel swung by the YVR Screen Scene studio to reflect on a decade of shit-disturbing, whether or not he’s (gasp!) gone establishment, the health of Vancouver’s indie filmmaking scene, and why this year’s Run N Gun is the biggest yet. Episode sponsor: Fish Flight Entertainment
289 episoade
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Similar cu The YVR Screen Scene Podcast
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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continue reading
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