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180: Actually, it's Frankenstein's Incel - "Pride and Prometheus" by John Kessel

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Content provided by Whoa!mance: Romance, Feminism, and Ourselves and Whoa!mance: Romance. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Whoa!mance: Romance, Feminism, and Ourselves and Whoa!mance: Romance or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
What webs we weave, indeed! This episode we attempt to unknot that cross-over of the century - the NINETEENTH century that is - PRIDE AND PROMETHEUS by JOHN KESSEL. Mary Bennet decides to take one last crack at life before resigning herself to spinsterhood and two people wind up dead. That's what happens when you pin your hopes to the saddest Swiss nerd at the ball. Especially when they have the kind of baggage that is super tall, speaks at least three languages, has committed murder in the name of loneliness, and is technically their child. Do the major differences of "Frankenstein" and "Pride and Prejudice" boil down to imagination vs. domesticity? Where is the fascination of sex to be found without love and affection? What can be made of men talking about women talking about men? Trigger warnings - we talk about anatomy, sterilization, murder, and miscarriages in this episode.
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347 episoade

Artwork
iconDistribuie
 
Manage episode 447967192 series 2103425
Content provided by Whoa!mance: Romance, Feminism, and Ourselves and Whoa!mance: Romance. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Whoa!mance: Romance, Feminism, and Ourselves and Whoa!mance: Romance or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
What webs we weave, indeed! This episode we attempt to unknot that cross-over of the century - the NINETEENTH century that is - PRIDE AND PROMETHEUS by JOHN KESSEL. Mary Bennet decides to take one last crack at life before resigning herself to spinsterhood and two people wind up dead. That's what happens when you pin your hopes to the saddest Swiss nerd at the ball. Especially when they have the kind of baggage that is super tall, speaks at least three languages, has committed murder in the name of loneliness, and is technically their child. Do the major differences of "Frankenstein" and "Pride and Prejudice" boil down to imagination vs. domesticity? Where is the fascination of sex to be found without love and affection? What can be made of men talking about women talking about men? Trigger warnings - we talk about anatomy, sterilization, murder, and miscarriages in this episode.
  continue reading

347 episoade

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