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Daughter of the Dragon: Anna May Wongs Rendezvous with American History

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Born into the steam and starch of a Chinese laundry, Anna May Wong (19051961) emerged from turn-of-the-century Los Angeles to become Old Hollywoods most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photoswith a touch of defianceOrientally yours. Now, more than a century after her birth, Yunte Huang narrates Wongs tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wongs rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a Dragon Lady, Madame Butterfly, or China Doll, Huangs biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wongs all-too-brief fifty-six years on earth.
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51 episoade

Artwork
iconDistribuie
 
Manage episode 381443094 series 2384190
Content provided by AAARI. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by AAARI or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.
Born into the steam and starch of a Chinese laundry, Anna May Wong (19051961) emerged from turn-of-the-century Los Angeles to become Old Hollywoods most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photoswith a touch of defianceOrientally yours. Now, more than a century after her birth, Yunte Huang narrates Wongs tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wongs rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a Dragon Lady, Madame Butterfly, or China Doll, Huangs biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wongs all-too-brief fifty-six years on earth.
  continue reading

51 episoade

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