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The Assistant Production Office Coordinator

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Manage episode 290100291 series 2911953
Content provided by Film Crew Institute. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Crew Institute or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

The APOC works directly under the Production Office Coordinator in the production office. As a go-between between producers, the studio, and production, the production office is a hub that supports every department on a film. The APOC joins this office early on and will work to oversee the pas and the production secretary in the office as well as ensure that daily reports from set are delivered accurately and on time to the studio, legal teams, accounting departments, and producers.

Today, Kim Mott speaks with Kalisa Wade, whose production office credits include Painted Woman, The Christmas Trap, and Stillwater, as well as TV series Star, Black Lightning, and American Soul. Kalisa’s experience has given her great insight on how to help run the production office as well as tips on getting hired for a production.

  continue reading

21 episoade

Artwork
iconDistribuie
 
Manage episode 290100291 series 2911953
Content provided by Film Crew Institute. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Crew Institute or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

The APOC works directly under the Production Office Coordinator in the production office. As a go-between between producers, the studio, and production, the production office is a hub that supports every department on a film. The APOC joins this office early on and will work to oversee the pas and the production secretary in the office as well as ensure that daily reports from set are delivered accurately and on time to the studio, legal teams, accounting departments, and producers.

Today, Kim Mott speaks with Kalisa Wade, whose production office credits include Painted Woman, The Christmas Trap, and Stillwater, as well as TV series Star, Black Lightning, and American Soul. Kalisa’s experience has given her great insight on how to help run the production office as well as tips on getting hired for a production.

  continue reading

21 episoade

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