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AWP23—Enzo Silon Surin

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Content provided by Kate Martin Williams and Bloomsday Literary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kate Martin Williams and Bloomsday Literary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Enzo Silon Surin writes, composes, and publishes artifacts on the “witness continuum”—art that he says “pays homage to the culture in which it was formed” and the necessity of generational change. Surin’s work spans librettos commissioned by the Boston Opera Collaborative, four poetry collections, and a musical-in-the-making. He also founded Central Square Press, an independent publisher of works that “reflect a commitment to social justice in regards to African-American, Caribbean, and Caribbean-American communities.”

We had the pleasure of chatting with Surin about how he came to writing as means of documentation—from intuitively producing plays and operas about his childhood in Queens to developing his 10-minute play, “Last Train” (which has a forthcoming operatic adaptation). We discussed the juxtaposition of violence and tenderness in his collection, When My Body Was A Clinched Fist, winner of the 21st Annual Massachusetts Book Awards. Between witnessing the coup that forced Surin from Haiti and the “social violence” he saw in New York, he says he grew up in “state of violence.” It was by becoming a “clinched fist” that Surin says he protected his innate compassion and resilience. Finally, Surin celebrates how writing “saved [his] life” and speaks from the corner of publishing he’s forged, where he’s found that real-life audiences hungry for quality work “already exist."

Honorable mentions

Bloomsday Literary in partnership with Official 2023 AWP Conference and Bookfair

  continue reading

74 episoade

Artwork

AWP23—Enzo Silon Surin

F***ing Shakespeare

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Manage episode 404809493 series 2090480
Content provided by Kate Martin Williams and Bloomsday Literary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kate Martin Williams and Bloomsday Literary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

Enzo Silon Surin writes, composes, and publishes artifacts on the “witness continuum”—art that he says “pays homage to the culture in which it was formed” and the necessity of generational change. Surin’s work spans librettos commissioned by the Boston Opera Collaborative, four poetry collections, and a musical-in-the-making. He also founded Central Square Press, an independent publisher of works that “reflect a commitment to social justice in regards to African-American, Caribbean, and Caribbean-American communities.”

We had the pleasure of chatting with Surin about how he came to writing as means of documentation—from intuitively producing plays and operas about his childhood in Queens to developing his 10-minute play, “Last Train” (which has a forthcoming operatic adaptation). We discussed the juxtaposition of violence and tenderness in his collection, When My Body Was A Clinched Fist, winner of the 21st Annual Massachusetts Book Awards. Between witnessing the coup that forced Surin from Haiti and the “social violence” he saw in New York, he says he grew up in “state of violence.” It was by becoming a “clinched fist” that Surin says he protected his innate compassion and resilience. Finally, Surin celebrates how writing “saved [his] life” and speaks from the corner of publishing he’s forged, where he’s found that real-life audiences hungry for quality work “already exist."

Honorable mentions

Bloomsday Literary in partnership with Official 2023 AWP Conference and Bookfair

  continue reading

74 episoade

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