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Shine Louise Houston: Voyeurism

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Manage episode 266351898 series 2526495
Content provided by Why Are People Into That?! and Tina Horn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Are People Into That?! and Tina Horn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

“The funny thing about Crash Pad is: you know that I know that you know that I know that there’s cameras in there." //

In Part 2 of my interview with Shine, we focus in on Why Are People Into Voyeurism. //

Shine tells a legendary tale of how seeing herself in the mirrors at the Lusty Lady inspired Crash Pad Series. We discuss how the voyeurism themes of CPS means she’s both removed her queer woman of color gaze and inserted that gaze into every single scene; how CPS has changed over 15 years of queer p*rn production; why you should pay for your porn; why asking first is necessary. We also explore: Why is voyeurism considered so creepy? Is the voyeur a top? When is looking like touching? There's also some nerdy camera talk and Shine's conspiracy theory about P*rn Hub. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

169 episoade

Artwork
iconDistribuie
 
Manage episode 266351898 series 2526495
Content provided by Why Are People Into That?! and Tina Horn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Are People Into That?! and Tina Horn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

“The funny thing about Crash Pad is: you know that I know that you know that I know that there’s cameras in there." //

In Part 2 of my interview with Shine, we focus in on Why Are People Into Voyeurism. //

Shine tells a legendary tale of how seeing herself in the mirrors at the Lusty Lady inspired Crash Pad Series. We discuss how the voyeurism themes of CPS means she’s both removed her queer woman of color gaze and inserted that gaze into every single scene; how CPS has changed over 15 years of queer p*rn production; why you should pay for your porn; why asking first is necessary. We also explore: Why is voyeurism considered so creepy? Is the voyeur a top? When is looking like touching? There's also some nerdy camera talk and Shine's conspiracy theory about P*rn Hub. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

169 episoade

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