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Saxophonist/Composer James Brandon Lewis interviewed by WPKN's "Musicians Speak" Joseph Celli

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WPKN and Musician's Speak host and DJ Joseph Celli interviews composer and saxophonist James Brandon Lewis during amidst a 2024 tour with the Messethics featuring members of DC DIY pioneers, Fugazi.

“James Brandon Lewis, a jazz saxophonist in his 30s, raw-toned but measured, doesn’t sound steeped in current jazz-academy values and isn’t really coming from a free-improvising perspective. There’s an independence about him, and on “Days of FreeMan” (Okeh), he makes it sound natural to play roaming, experimental funk, with only the electric bassist Jamaladeen Tacuma and the drummer Rudy Royston, and without much sonic enhancement. The record sounds a little reminiscent of what James Blood Ulmer and Ornette Coleman were doing in the late ’70s and early ’80s — on records that included Mr. Tacuma — but it’s not clearly evoking a particular past. Maybe it’s an improvised take on early ’90s hip-hop, as Mr. Lewis has suggested, but it sounds less clinical than that. It sounds like three melodic improvisers going for it.”
— The New York Times

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12 episoade

Artwork
iconDistribuie
 
Manage episode 435805517 series 3592140
Content provided by WPKN. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WPKN or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ro.player.fm/legal.

WPKN and Musician's Speak host and DJ Joseph Celli interviews composer and saxophonist James Brandon Lewis during amidst a 2024 tour with the Messethics featuring members of DC DIY pioneers, Fugazi.

“James Brandon Lewis, a jazz saxophonist in his 30s, raw-toned but measured, doesn’t sound steeped in current jazz-academy values and isn’t really coming from a free-improvising perspective. There’s an independence about him, and on “Days of FreeMan” (Okeh), he makes it sound natural to play roaming, experimental funk, with only the electric bassist Jamaladeen Tacuma and the drummer Rudy Royston, and without much sonic enhancement. The record sounds a little reminiscent of what James Blood Ulmer and Ornette Coleman were doing in the late ’70s and early ’80s — on records that included Mr. Tacuma — but it’s not clearly evoking a particular past. Maybe it’s an improvised take on early ’90s hip-hop, as Mr. Lewis has suggested, but it sounds less clinical than that. It sounds like three melodic improvisers going for it.”
— The New York Times

  continue reading

12 episoade

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